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James William Guercio (born July 18, 1945) is an American music producer, musician and songwriter. He is well known for his work as the producer of Chicago's early albums as well as early recordings of The Buckinghams and Blood Sweat & Tears. He has worked briefly in the motion picture industry as a producer and director. Guercio was a member of the backing band for The Beach Boys in the mid-1970s. ==Music industry accomplishments== Guercio moved to Los Angeles in the mid-1960s and began working as a session musician and songwriter. He played on several recordings, wrote Chad and Jeremy's 1966 Top 30 pop hit "Distant Shores", and is listed as a "contributor" to Frank Zappa's 1966 debut album ''Freak Out!'' (he was briefly a member of the Mothers of Invention prior to the album's recording). Hired by Columbia Records as a staff producer, Guercio began working with the Buckinghams and helped them create four Top 10 records in 1967: "Don't You Care", "Mercy, Mercy, Mercy", "Hey Baby (They're Playing Our Song)", and "Susan". During his college years in Chicago, Guercio had become friends with a saxophonist named Walter Parazaider. Parazaider invited Guercio to hear his new band, "The Big Thing", and Guercio offered to manage and produce them. He relocated the band to Los Angeles in 1968, convinced them to change their name to "The Chicago Transit Authority", and arranged for them to appear in local clubs where they quickly became popular. While recording their first album for CBS/Columbia, Guercio was also approached about producing a second album for Blood, Sweat & Tears. Both of these highly successful albums were released in 1969, and ''Blood, Sweat & Tears'' won Guercio an Album of the Year Grammy Award. In 1969, threatened with legal action by the Chicago Transit Authority, interested in protecting their name, Guercio shortened the band's name to Chicago and worked with them on a second album, ''Chicago II''. Both this album and the original ''The Chicago Transit Authority'' featured long recordings which were moderately popular on FM stations, but when Guercio edited several tracks down to a radio-friendly 3-minute length—including single versions of "Make Me Smile", "25 or 6 to 4", and "Beginnings"—Chicago became a huge commercial success. Guercio would ultimately produce a total of eleven albums for the band (including five straight number 1 pop albums, starting with ''Chicago V'') and 17 Top 25 singles. The ''Chicago X'' album yielded the band's first number 1 single, "If You Leave Me Now", which also earned two Grammy Awards (best pop performance for the band, and best arrangement for Guercio). However, Guercio and the band members found themselves increasingly at odds over creative decisions, tour schedules, and finances, and they parted ways soon after completing ''Chicago XI'' in late 1977. Guercio's attention was not only on the big-time artists. In 1969 he encountered street poet and musician Moondog, going on to produce two albums with the eccentric character; on the second he performed vocals with Moondog and the artist's daughter. Guercio produced the Firesign Theatre's single "Station Break", which was released in March 1969 (and later appeared on the ''Forward into The Past'' anthology), and in April 1970, Guercio produced the "Shoes for Industry" segment of their classic LP ''Don't Crush That Dwarf, Hand Me the Pliers''. In addition, both ''Dwarf'' and Firesign's earlier ''How Can You Be in Two Places at Once When You're Not Anywhere at All'' were labelled with "Poseidon Productions: A Division of James William Guercio Enterprises Inc." He joined The Beach Boys in the mid-1970s, serving as a bass player in live shows and manager before returning to solely working with Chicago. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「James William Guercio」の詳細全文を読む スポンサード リンク
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